Презентация по английскому языку "Английские художники в коллекции Эрмитажа "(Часть2 )

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  Joseph Wright
  Joseph Wright of Derby (1734-1797)
  was one of the most outstanding
  British painter of the XVIII century.
  
  The painter stands out with his own
  manner of drawing light effects and
  his pictures lit with candle light.
  

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  His paintings on the theme of the birth of a science
  from alchemy were often based on themes
  discussed at meetings of the Lunar Society -
  group of influential scientists and industrialists
  living in the Midlands.
  

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  In the early period of creative research - from 1760 to 1773 years - the artist lived in Derby. Here he met with the ceramic artists Joshua Wedgwood
  and chemist Joseph Priestley. He was present at the experiments of scientists
  and portrayed them in his works.
  
  

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  On the coast of the Bay of Naples (Неаполетанский Залив)
  the artist explored the picturesque caves and grottoes.
  His impressions of Italian nature he expressed with words
  "Beautiful and unusual atmosphere, so clean and clear“
  that later reflected in his works.
  

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  In Naples, Joseph Wright witnessed an eruption of Mount Vesuvius, which inspired him to write a few dozen paintings with dramatic effect of combat fire and darkness. Subsequently, this topic is very often reflected in his works.
  

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  In the period from 1773 to 1775 years, Joseph was in Italy,
  where he painted the ancient ruins, and studied landscape drawing, copied classical statues and watched over the spectacular fireworks during the carnival in Rome.
  

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  Sir Joshua Reynold
  Sir Joshua Reynolds (1723-1792) – English historical and portrait painter, a representative of the English school of portraiture of the XVIII century. Art theorist.
  

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  Enrolling in 1741 as a pupil to a portraitist T. Goodson, in London, Reynolds worked under his supervision for three years, and then spent another three years in Devonport and was again in London in 1746. In 1749 he went to Italy, where he studied the works of great masters, mostly Titian, Correggio, Raphael and Michelangelo.
  

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  In total he succeeded better portraits, remarkable for expressiveness, elegant statement pieces, intelligent selection
  of accessories and bold, juicy style of writing. As for the historical paintings of Reynolds, they are consider to his portraits, although there are also quite a few skills that can be seen on first-class
  painters canvases.
  

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