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Francesco Bartolomeo Rastrelli
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Francesco Bartolomeo Rastrelli 1700 in Paris, France – 29 April 1771 in Saint Petersburg, Russia) was a French-born Russian architect of Italian descent. He developed an easily recognizable style of Late Baroque, both sumptuous and majestic. His major works, including the Winter Palace in Saint Petersburg and the Catherine Palace in Tsarskoye Selo, are famed for extravagant luxury and opulence of decoration.
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In 1716, Bartolomeo moved to Saint Petersburg, Russia, accompanying his father, Italian sculptor Carlo Bartolomeo Rastrelli (1675–1744).[2]His ambition was to combine the latest Italian architectural fashion with traditions of the Muscovite baroque style. The first important commission came in 1721 when he was asked to build a palace for Prince Demetre Cantemir, former ruler of Moldavia.
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He was appointed to the post of senior court architect in 1730. His works found favour with female monarchs of his time, so he retained this post throughout the reigns of Empresses Anna (1730–1740) and Elizabeth (1741–1762).
Rastrelli's last and most ambitious project was the Smolny Convent in St. Petersburg where Empress Elizabeth was to spend the rest of her life. The projected bell-tower was to become the tallest building in St Petersburg and all of Russia. Elizabeth's death in 1762 prevented Rastrelli from completing this grand design.
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The new empress, Catherine II, dismissed baroque architecture as an old-fashioned "whipped cream", and the aged architect had to retire to Courland where he supervised the completion and decoration of the ducal palaces.
His last years were spent in obscure commerce with Italian art-dealers. He was elected to the Imperial Academy of Arts several months before his death.[2] A square in front of the Smolny Convent has borne Rastrelli's name since 1923. He is the subject of a composition, Rastrelli in Saint Petersburg, written in 2000 by Italian composer Lorenzo Ferrero.
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The residence originated in 1717, when Catherine I of Russia hired German architect Johann-Friedrich Braunstein to construct a summer palace for her pleasure. In 1733, Empress Elizabeth commissioned Mikhail Zemtsov and Andrei Kvasov to expand the Catherine Palace. Empress Elizabeth, however, found her mother's residence outdated and incommodious and in May 1752 asked her court architect Bartolomeo Rastrelli to demolish the old structure and replace it with a much grander edifice in a flamboyant Rococo style. Construction lasted for four years, and on 30 July 1756 the architect presented the brand-new 325-meter-long palace to the Empress, her dazed courtiers, and stupefied foreign ambassadors
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More than 100 kilograms of gold were used to gild the sophisticated stucco façade and numerous statues erected on the roof. In front of the palace a great formal garden was laid out. It centres on the azure-and-white Hermitage Pavilion near the lake, designed by Mikhail Zemtsov in 1744, remodelled by Francesco Bartolomeo Rastrelli in 1749 and formerly crowned by a grand-gilded sculpture representing The Rape of Persephone. The interior of the pavilion featured dining tables with dumbwaiter mechanisms. The grand entrance to the palace is flanked by two massive "circumferences", also in the Rococo style. A delicate cast-iron grille separates the complex from the town of Tsarskoe Selo.
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