Last month, more than 100 million people watched the gory
Netflix show, Squid Game. Whether or not screen violence is bad for us has been
extensively studied. The consensus is that it can have negative effects. But
the question of why we are drawn to watch violence has received much less
attention.
Death, blood and violence have always pulled a crowd.
Ancient Romans flocked to carnage in the Colosseum. In later centuries, public
executions were big box-office. In the modern era, the film director Quentin Tarantino
believes that: “In movies, violence is cool. I like it”. Many of us seem to
agree with him. A study of high-grossing movies found 90% had a segment where
the main character was involved in violence. Similarly, most Americans enjoy
horror films and watch them several times a year.
Who is watching this stuff?
Some people are more likely to enjoy violent media than
others. Being male, aggressive and having less empathy all make you more likely
to enjoy watching screen violence. There are also certain personality traits
associated liking violent media. Extroverted people, who seek excitement, and
people who are more open to aesthetic experiences, like watching violent movies
more.
Conversely, people high in agreeableness - characterised by
humility and sympathy for others - tend to like violent media less.
Disinformation is dangerous. We fight it with facts and
expertise
…but why?
One theory is that watching violence is cathartic, draining
out our excess aggression. However, this idea is not well supported by
evidence. When angry people watch violent content, they tend to get angrier.
More recent research, derived from studies of horror films,
suggests there may be three categories of people who enjoy watching violence,
each with their own reasons.
One group has been dubbed “adrenaline junkies”. These
sensation seekers want new and intense experiences, and are more likely to get
a rush from watching violence. Part of this group may be people who like seeing
others suffer. Sadists feel other people’s pain more than normal, and enjoy it.
Read more: From psychopaths to 'everyday sadists': why do
humans harm the harmless?
Another group enjoys watching violence because they feel
they learn something from it. In horror studies, such people are called “white
knucklers”. Like adrenaline junkies, they feel intense emotions from watching
horror. But they dislike these emotions. They tolerate it because they feel it
helps them learn something about how to survive.
This is a bit like benign masochism, the enjoyment of aversive,
painful experiences in a safe context. If we can tolerate some pains, we may
gain something. Just as “painful” cringe comedies may teach us social skills,
watching violence may teach us survival skills.
A final group seems to get both sets of benefits. They enjoy
the sensations generated by watching violence and feel they learn something. In
the horror genre, such people have been called “dark copers”.
The idea that people enjoy watching safe, on-screen violence
because it can teach us something is called “threat simulation theory”. This
fits with the observation that the people who seem most attracted to watching
violence (aggressive young men) are also those most likely to be encountering
or dishing out such violence.
A scene from Squid Game: the game of red light, green light.
Netflix
Watching violence from the safety of our sofa may be a way
to prepare ourselves for a violent and dangerous world. Violence hence appeals
for a good reason. Interestingly, a recent study found that horror fans and morbidly
curious individuals were more psychologically resilient during the COVID-19
pandemic.
Is it really the violence we like?
There are reasons to reconsider how much we like watching
violence per se. For example, in one study researchers showed two groups of
people the 1993 movie, The Fugitive. One group were shown an unedited movie,
while another saw a version with all violence edited out. Despite this, both
groups liked the film equally.
This finding has been supported by other studies which have
also found that removing graphic violence from a film does not make people like
it less. There is even evidence that people enjoy non-violent versions of films
more than violent versions.
Many people may be enjoying something that coincides with
violence, rather than violence itself. For example, violence creates tension
and suspense, which may be what people find appealing.
Another possibility is that it is action, not violence,
which people enjoy. Watching violence also offers a great chance for making
meaning about finding meaning in life. Seeing violence allows us to reflect on
the human condition, an experience we value.
Other theories are also out there. “Excitation transfer
theory” suggests that watching violence makes us aroused, a feeling that
persists until the end of the show, making the end feel more pleasing. The
“forbidden fruit hypothesis” proposes that it is violence being deemed
off-limits that makes it appealing. Consistent with this, warning labels
increase people’s interest in violent programmes.
Finally, it may be that it is justified punishment, rather
than violence, that we enjoy watching. Indeed, whenever people anticipate being
able to punish wrongdoers, the reward centres of their brain light up like
fairgrounds. That said, less than half the violence on TV is inflicted on
baddies by goodies.
Political motives?
All this suggests that media companies may be giving us
violence that many of us don’t want or need. We should hence consider what
other corporate, political or ideological pressures may be encouraging onscreen
violence globally.
For example, the US government has a close interest in, and
influence over Hollywood. Portrayals of violence can manufacture our consent
with government policies, encourage us to endorse the legitimacy of state power
and state violence, and help determine who are “worthy victims”.
Read more: Washington DC's role behind the scenes in
Hollywood goes deeper than you think
The messages onscreen violence send can, however, cause us
to become disconnected with reality. When crime rates fall, onscreen violence
can make us think that crime is increasing. Movies also lie about the real
impact of violence on the human body – with almost 90% of violent actions
showing no realistic physical consequences to the victim. Movies can also
disguise the reality of male violence against women and children.
The American political scientist Samuel Huntington once
wrote that, “The west won the world not by the superiority of its ideas … but
rather by its superiority in applying organised violence. Westerners often
forget this fact; non-Westerners never do.” We should be constantly aware of
how fake violence on our screens serves real violence in our world.
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